Generations of readers have enjoyed the ingenuous triumphs and feckless mishaps of boyhood days on the Mississippi. This classic of American wit and storytelling introduced Tom Sawyer, Becky Thatcher, Aunt Polly, the Widow Douglas, and many other characters to the world, of course, the boy who was cordially hated and dreaded by all the mothers of the town, because he was idle and lawless and vulgar and bad - and because all their children admired him so, Huckleberry Finn.
Trouble's a-brewin'! For Tom Sawyer and his friends, every day is filled with adventure and mayhem. With murder mysteries to solve, pirate islands and robbers' dens to explore, and mischief to make, the quiet town of St. Petersburg doesn't remain sleepy for long! Readers around the world love this tale of suspense and comedy.
This is the version for younger readers as an introduction to Mark Twain
Made less satirical than Mark Twain's classic and simplified for younger readers, this retelling is still a lively romp. A beggar and a prince look so alike that they change places but then cannot immediately switch back. Mayer's (The Unicorn and the Lake) adaptation is serviceable if not sparkling; she retains all the key scenes of the story but flattens Twain's archaisms. While some of the original's sophisticated humor gets lost in the translation, much of it remains. For example, when Edward, the prince, tries telling pauper Tom's parents that he is really the Prince of Wales, Tom's mother responds, Oh, poor Tom, it's all those books you read that's done this to you. And in court, when Tom is given a finger bowl, he drinks from it, announcing, This is a very flavorless soup. Lippincott (Bruce Coville's Magic Shop series) vibrantly renders the ragged features of the paupers, and his tableaux are full of life. His palace scenes are ornate, light-filled watercolors of splendor in which the boys' homely, toothy faces seem like the only real and honest things. For readers not yet ready for Twain, this version, like its model, will make them think about their places in the world.
Amazon Best of the Month, October 2009: Jonathan Lethem, the home-grown frontrunner of a generation of Brooklyn writers, crosses the bridge to Manhattan in Chronic City, a smart, unsettling, and meticulously hilarious novel of friendship and real estate among the rich and the rent-controlled. Lethem's story centers around two unlikely friends, Chase Insteadman, a genial nonentity who was once a child sitcom star and now is best known as the loyal fiancé of a space-stranded astronaut, and Perkus Tooth, a skinny, moody, underemployed cultural critic. Chase and Perkus are free-floating, dope-dependent bohemians in a borough built on ambition, living on its margins but with surprising access to its centers of power, even to the city's billionaire mayor. Paranoiac Perkus sees urgent plots everywhere–in the font of The New Yorker, in an old VHS copy of Dead Men Don't Wear Plaid–but Chronic City, despite the presence of death, politics, and a mysterious, marauding tiger, is itself light on plot. Eschewing dramatic staples like romance and artistic creation for the more meandering passions of friendship and observation, Chronic City thrives instead on the brilliance of Lethem's ear and eye. Every page is a pleasure of pitch-perfect banter and spot-on cultural satire, cut sharply with the melancholic sense that being able to explain your city doesn't make you any more capable of living in it. –Tom Nissley
At the age of ten, shy, vulnerable Fanny Price leaves behind her impoverished family in Portsmouth to go and live with her rich relatives at Mansfield Park.
Growing up with her cousins Tom, Edmund, Maria and Julia, she is aware that she is different from them and that her place in society cannot be taken for granted, although she is not treated unkindly. A dashing couple from London, Mary Crawford and her brother Henry, enter this stable, rural world. They succeed in dazzling everyone ant Mansfield Park, except for Fanny, who sees through their shallow veneer. Throughout the dramatic events that follow it is she who is able the bring back some stability to the ruptured lives of those around her.